Op-ed: Michael Elion and the willful manipulation of a flawed process

Now that Michael Elion's controversial sculpture 'Perceiving Freedom' is receiving criticism, questions are being raised about the process which enabled it to occupy public space in the first place. FARZANAH BADSHA sat on the art54 selection committee, and has some insights into her experience of the selection process, its limitations, and what might be done differently to make public art work for all.